Mooi Indie Indonesian Beauty Painting

Mooi Indie Indonesian Beauty Painting “mooi indie 1882″, that meant “indonesian beauty 1882″ and  was aimed at the painter who only depicted scenery romanticism, beautiful buildings and  (http://maplered.com) the life of indigenous people (“mooi indie” is a bahasa indonesian phrase, which translates basically as “beautiful indies”).




But if we look a little closer we can also find many examples of mooi indie artists who do not fit this tourist-artist stereotype. There was, for example, a hand  ful of mooi indie artists who were indonesian, most notably abdullah soeriosoebroto (1878-1941) and  soekardji (1880-1950) who were all popular within colonial society. However, not all of the European community in the indies held mooi indie art and   artists in universally high regard.
In fact, many people agreed with the critic who wrote for the magazine de taak in 1917.
Even well into the twentieth century, former indonesian president sukarno particularly favoured the work of mooi indie artist. In fact, the introduction to the multi-volume publication illustrating paintings from dr. Sukarno’s collection indicates that his aesthetic tastes favoured romantic, naturalistic land scapes, given his preference for scenes of “green mountains
Sprawling across the golden paddy fields, the little brooks meandering over the Stone   s, and the shimmering reflections of clouds fondling with the sunshine on the hilltops. ”